I must know so that I can try to use them in a situation they’re unsuited for so I can complain about my gear and spend my retirement savings buying more expensive gear.

It’s when they take pictures of dudes with creamy brokeh.

If you can’t bury it under the sand it’s not physical media.

Stuff like the XF35mm f2 WR is, though you’ll also need a weather sealed body.

That’s unfortunate.

I don’t recommend trying to pinch minutes. The people who pinch minutes are the ones who double or triple book, but then don’t want to say that their earlier gig is running late, or that something better came up, or the people who realize it’s going to be more work than they wanted to do.

So my advice is to not look at it as just 30 minutes, look at it as a day, because that’s how a lot of professional photographers will book it. Their schedule will almost never look like 8am-8:30 gig A, 8:45-10 gig b, 11-12 gig c. That’s a disaster waiting to happen and I don’t know anyone serious about the industry who works like that. The only possible exception is when they’re hired by a venue, and they’re working all day anyways, and the timeslots are for you the client and not for the photographer.

So instead of saying you just need photos from 8-830, book it as photos for that day starting at 8.

Double the size of your THX sticker for warmer sound.

R6 costs about $2000 for ease of math. If you charge $100 per shoot as your equipment fee that is 100x300=30000. So you can afford to buy another 150 cameras with the profit generated.