If you’re shooting professionally there should always be a contractual agreement outlining what you and your client expects and how much it is going to cost them.
If you are not doing this you are not professional and leave yourself open to all sorts of trouble.
Even if you are shooting for free, you should still have a contractual agreement.
I use three screens. Two calibrated, with different black levels and a third adjusted by eye. If an image looks good/ok on all three then I’m happy it’s fine for the web.
Now if it’s for printing then that’s a whole other ball game. As well as RGB I sometimes have to output work in CYMK.
Is your work destined for screen or print? Either way I hope you are using DisplayPort interfaces and not HDMI.
🤔Are you looking at them on a calibrated monitor?
Search how dodge and burn got their names. It’ll blow your mind.😁
L 70-200mm f2.8 IS. MkII. It’s a hell of a lens.
If your equipment will let you in whatever light you are shooting, try a smaller aperture. F8 -f11.
Is this a paid job?
Not YT, but a podcast. ‘Lenswork’
Absolutely this. It’s a must!
When there’s big blue lines in your t-shirt photo that’s the Moire.
I’m so sorry, I couldn’t resist.🙄
Have you actually worked out how much you would make.😁 It’s not worth doing.
Kodak Box Brownie, shall I go on? It’s a long story. 👴 I actually still have it and it’s loaded and ready to go. It doesn’t come out often, but still works fine.
Lucky escape buy the sounds of your update 😱
Get it serviced at an official service center. You will find out what exactly, if any, thing is wrong with it