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Joined 1 year ago
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Cake day: October 22nd, 2023

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  • Focal length is a property of the lens, not the sensor. The 35mm on your camera will appear as a 52.5mm lens (35 x 1.5) would on a full frame camera.

    The thing that makes it a crop lens is the smaller image circle projected out the back to cover a smaller crop sensor. It allows the whole design to be smaller in size and weight than a lens made for full frame. But it’s the same 35mm’s as any other 35mm lens whether designed for full frame, crop, 4/3rds, or medium format.




  • It’s interesting reading about how some truly great shots came to be. Revisiting the same place many times until the light was perfect. Sometimes over the course of years.

    Imagine getting to Mesa Arch in Canyonlands and you’ve got one day there. You bust your tail getting there before sunrise to get the iconic shot, and its clouds on the horizon blocking the sun. Or the kids aren’t ready so you’re a half hour late. Or you left the ultra-wide at the vacation rental.









  • Wider lens. People closer to the camera, building filling the frame in the background. A 35mm with your group together in the middle of the frame should do if you have enough room to back up for the three story. Otherwise you need something wider.

    If you want both the building and your team sharp you may need two shots. One with the building in focus. The other with your team in focus. Then do a depth composite in post.

    Unless you want to show the people regular size, as in to scale with the building. Then they need to be closer to the building and farther from your camera.